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October 11, 2010

Who am I as a designer?

For me, this is a loaded question.  I would argue that every entry posted here provides some part of the answer.  A few months into design school I observed many of my peers developing very distinctive and recognizable styles.  I grew concerned that I couldn't concisely articulate or even visually demonstrate a style that represented me.  Each of my passing project took on a character that was unique from that which preceded.

Now, in the last quarter of my education, I look at my mixed-bag portfolio not with uncertainty but with a sense of pride.  I have realized that designers come in many different forms.  Some, like the amazingly talented Karim Rashid create interiors that are unmistakably their own.  When successful, these designers can develop highly recognizable and lucrative brands.  Clients will hire them with a full understanding of the end product and oftentimes place great value on purchasing a well-known name.

Other designers take a different route.  Rather than focusing their energies on the development of a personal brand or style, these designers naturally seek to divine and enhance the individual styles of their clients.  These designers look forward to each rising project as an opportunity to explore a new challenge that is outside of themselves.  While I am confident that most designers fall somewhere in between these two poles and not neatly into one category or the other, I personally feel more strongly akin to designers of the second sort.

That being said, I do feel that my work shares the connection of a few common threads.  Although a mixed bag, my portfolio (I hope) is not completely incongruent.  Below is a list of design practices that I have tried to incorporate in my own work or have particularly appreciated in the work of others.

1. Pay attention to detail - For me, attention to detail plays a critical role in all design, regardless of style or application.  Whether preserving the delicately carved pattern in an antique fireplace mantle or perfecting the seam of the wall in a minimalist house, the success of a detail can cause a design to truly sing.  In the image below, Atlanta designer Suzanne Kasler carefully juxtaposes beautifully crafted wall paneling with the sinuous curve of the ceiling above for a composition that is both delicate and bold.


2. Never underestimate the value of humor - It is important to remember that beyond safety and function, design is intended to impart pleasure.  For me, maintaining a sense of humor is one of the easiest ways to inspire happiness.  Below is an image of a lamp designed by Jonathan Adler.  Author of "My Prescription for Anti-Depressive Living," Adler is a specialist in the field of happy design.  Although I hope that my own injections of humor are perhaps a bit more subtle, I feel particularly compelled to feature Jonathan Adler's Georgia Lamp as it bears my first name!



3. Treat your design like a piece of fine art - In the previous blog entry, I called lighting designer Christopher Moulder part sculptor, part engineer.  Each piece in his collection comes across as a piece of art.  Another designer who applies this principle to her entire compositions of interior space is Iraqui architect, Zaha Hadid.  Below is an image of an interior designed by Hadid.


4.  Keep user experience constantly in mind - I was first introduced to Louis Kahn's work through documentary film, My Architect.  Since that first exposure, I have wondered how it would feel to stand in the pavilion of Kahn's Salk Institute pictured here below.  The vastness of this space and the strength of its gesture surely evokes strong emotion from its visitors.  For me, understanding the experience I am striving to create is one of the first steps in developing a meaningful aesthetic.

 

Things I Love

Over the course of two years in design school, I have come across and fallen in love with many designers and their products.  Below is an abbreviated list (in no particular order) with some of my very favorites!

1. Modern Classics - As I mentioned in one of my entries last month, I grew up loving our household Eames bent plywood chair.  During my time as a design student, I have been exposed to many, many more modern classics that I love.

One group of these classics are the clocks designed by American architect-designer George Nelson.   They are quirky, colorful and timeless (haha).




  
2. Oriental Rugs - Until relatively recently, I thought of oriental rugs as dusty objects that only belonged in my grandmother's traditional home.  If you are of the same mindset, a quick walk through some of the finest rug showrooms at the Atlanta Decorative Arts Center will quickly change your thinking.  Below are some oriental rugs currently for sale at one of my favorite sites, paradiseorientalrugs.com.  Penny, who operates this site and her store in California, is extremely knowledgeable and enthusiastic. 





3. Artistic Lighting - I am a strong believer that lighting is one of the - if not the - most crucial design elements that can make or break a space.  In my hundreds of searches for various light fixtures I have come across some incredibly creative and artistic pieces.  The artist/designer below, Chris Moulder, is a graduate from my own Alma Mater - Savannah College of Art and Design.  I have had the pleasure of touring his Atlanta studio  and would argue that he is one part sculptor, one part inventor and two parts insane.  To learn more about Christopher Moulder, visit his website.





4. Classically Inspired Furniture - My love for classically inspired furniture stems from the time I spent as an art history student.  Below are several pieces from Thomas Pheasant's line for Baker.  Pheasant creates forms that are exaggerated and contemporary but also unmistakably classical. 




5. Cowhide and Leather - This may seem like a strange thing to "love" but I have seen some amazingly beautiful things created with these materials.  Just before this entry I have posted a slide show about a company called Studioart.  They do not seem to have developed a website yet but when they do, I think we'll be seeing a lot more of their exquisite product.


Studio Art Leather Tiles Short Presentation

September 28, 2010

Feeling reflective this week, I've decided to take a look at the current and recent exhibits of artists and designers who have influenced not only my personal aesthetic but also my understanding of self.  The following list details a distilled version of the most prominent figures among an extensive mish-mash of artists and designers that I am lucky to have been exposed to.

The first of these artists, Georgia O'Keeffe, enjoys her widest acclaim for oil painting images of flowers and the American West.  Though I was born in Atlanta, my parents insist that my first name, Georgia, was inspired by the artist.  Her work has instilled in me a wonder for the minute details of the natural world and an appreciation for composition.  In 1976, O'Keeffe wrote, "I have picked flowers where I found them, have picked up sea shells and rocks and pieces of wood where there were sea shells and rocks and pieces of wood that I liked. When I found the beautiful white bones on the desert I picked them up and took them home too. I have used these things to say what is to me the wideness and wonder of the world as I live in it.”



One may experience the works of O'Keeffe firsthand at the Georgia O'Keeffe Museum in Santa Fe, NM.  Below, a quick excerpt from the museum website describes the current exhibit:

"O'Keeffiana: Art and Art Materials, offers a view of her artistic practice in a rich selection of artworks in various media – watercolor, charcoal, graphite, pastels, oil, and sculpture – along with a sampling of the pastels, watercolors, oil paints and brushes, she used. The exhibition will also include photographs of O’Keeffe at work and in the landscape that inspired her, and a selection of the stones and bones she collected and represented in paint and sculpture."

Click here to read a New York Times article on "O'Keeffiana: Art and Art Materials".



My next influence of not comes from one of the most prized possessions in my childhood household -- an authentic Eames bent plywood chair.   From husband and wife design team, Charles and Ray Eames, I have learned important lessons about proportion, line, function and materiality.


To American art and design, the Eames' have contributed countless works including furniture, architecture, textiles, sculpture, video and printmaking.  Currently,  the Eames Office in Santa Monica, CA  is displaying Eames exhibit "Powers of Ten: A Rough Sketch for a Proposed Exhibition on Scale".




Earlier this year, the Eames Office hosted a one-night exhibit celebrating the Eames' typographical achievements.  An excerpt from the event invitation is below:

"Please join us as we introduce the illustrative beauty and cumulative functionality of Eames Century Modern with a three-dimensional tactile typographic experience at the Eames Office Gallery in Santa Monica. A cornucopia of free-standing dimensional letterforms and hand-printed installations celebrate the intricate curves and stunning stroke contrast that are the building blocks of this new font collection."

 
My personal introduction to the next artist, Keith Haring, came during middle school. The color, playfulness and deceiving simplicity of Haring's cartoon-inspired pop graphics immediately appealed to my pre-adolescent aesthetic.  Haring rendered his art public and commercial like no other American artist.  He tackled a wide range of subject matter including love, humanity, politics and sexuality.  Alternately uplifting and dark, Haring's graphics express emotion in a way that is uniquely impactful and accessible.  Haring has described his artistic motivation saying, "When I am sad, I color the world. . .I color a lot."


If you are ready to travel, a current exhibit of Haring's work, "Keith Haring: Pop Art Superstar" may be seen September 18 - November 14, 2010 at the Lotte Art Center in Busan, South Korea.  A full schedule of Keith Haring exhibits may be found on the artist's official website.


Click here to for a Korea Times article on "Keith Haring: Pop Art Superstar".

Next on my list is a folk artist whose work I first encountered during college. Joseph Cornell was a self-trained artist and social recluse.  He is considered to have been a pioneer in the art of sculptural assemblage and collage.  The majority of Cornell's works begin with meticulously crafted shadow boxes on a relatively intimate scale.  These boxes contain images and objects that, together, held deeply personal meanings to the artist.  Often, Cornell designed the assemblages with moving parts or compartments meant to be discovered and manipulated by the viewer.  In contrast to Haring's publicly proclaiming works, Cornell's boxes give viewers the sense that they are peering into a shadowy corner of the artist's private consciousness.

Most recently Cornell's work was exhibited at Spruth Magers London.  From June to August, the museum featured the work of Cornell alongside contemporary artist, Karen Kilimnik.  "Joseph Cornell Karen Kilimnik" featured eight of Cornell's signature boxes.


If you missed the exhibit in London, another great way to see Cornell's work is through an interactive site prepared by the Smithsonian Art Museum for a 2007 exhibit "Joseph Cornell: Navigating the Imagination".







 Last on my list for today's blog entry is contemporary oil painter Cynthia Guild.  Certainly less well known than the artistic giants discussed above, Guild's images have nonetheless significantly impacted the way that I view both my daily surroundings and the realm of fine art.  I was first exposed to a collection of Guild's work titled "Traffic" a few years ago at a small art gallery in Wellfleet, MA.  Harmon Gallery still exhibits Guild's work today.  "Traffic" features a series of images of cars on highways at night.  Having fallen in love with the naturally inspired paintings by Georgia O'Keefe at such a young age, I was startled by the intense connection I feel to Guild's contemporary, urban paintings.




Another series, "Freighters" is equally exquisite.




September 18, 2010

Salt n' Peppa Round-Up 

Whether sleek, stylish or flat out strange, these salt and pepper sets are sure to shake up your next dinner party. Bon appetit!


Jonathan Adler - Elephants Salt & Pepper 
BROOKLYNrehab - Fork & Spoon Shakers
GSelect - Checkmate Shakers 
JosephJoseph - Y-Grinder 
Design Within Reach - Granit Salt & Pepper Shakers 
Jonathan Adler - Shoes Salt & Pepper
Michael C. Fina - Cristobal Salt & Pepper Set
OrangeDoorCottage - Vintage Owls Salt & Pepper
GSelect - Amen Shakers 
Normann Copenhagen - Dolly Salt & Pepper
Ester Coombs - Salt & Pepper Pair